Harris Dickinson has swiftly established himself as one of the most compelling British actors of his generation. Born in London in 1996, Dickinson’s journey from modest beginnings to international film stages is a story of talent, hard work and evolving artistry. With roles in major Hollywood films, critically acclaimed indie projects and now a directorial debut at the Cannes Film Festival, his career trajectory continues to captivate critics and audiences alike. This article explores Dickinson’s rise, his diverse roles, his work behind the camera and what lies ahead for this multifaceted performer.
Harris Dickinson was born on 24 June 1996 in Whipps Cross University Hospital and raised in Highams Park, East London. He grew up with an interest in film and theatre but initially struggled to find a clear path into the industry. At age 17, Dickinson dropped out of school—where he had been studying film and theatre—and nearly pursued a career in the Royal Marines before a performing arts coach encouraged him back into acting.
His early experience included short films and television roles, which provided a foundation for later opportunities. Dickinson’s story reflects both the unpredictability of creative careers and the importance of early mentorship in nurturing raw talent.
Dickinson’s first starring role came in the 2017 drama Beach Rats, directed by Eliza Hittman. In the film, he played Frankie, a young man wrestling with identity, desire and personal conflict. The performance earned widespread praise, with critics noting his ability to convey vulnerability and intensity. This role brought him his first major award nominations, including recognition from the Independent Spirit Awards and Gotham Awards.
Beach Rats was a key moment, not just for acclaim but for expanding Dickinson’s profile in international cinema circles. His embodiment of a complex character at such an early stage showed a maturity that set him apart from many peers.
Following Beach Rats, Dickinson’s career began to gain momentum with varied roles that demonstrated his range. He appeared in the fantasy blockbuster Maleficent: Mistress of Evil (2019) and continued to diversify his filmography with roles in war‑era drama The King’s Man (2021), the satirical Palme d’Or winner Triangle of Sadness (2022) and the adaptation of Where the Crawdads Sing (2022).
His performance as Carl in Triangle of Sadness earned particular praise, showcasing his ability to balance humour with emotional subtlety. He also appeared in The Iron Claw (2023), playing wrestling star David Von Erich and further proving his ability to tackle physically and emotionally demanding roles.
In addition to his film work, Dickinson has also established a presence on television. He portrayed John Paul Getty III in the FX drama Trust (2018), earning recognition for his sensitive portrayal of a historical figure in crisis. He continued to work in television with roles in series such as A Murder at the End of the World (2023), which garnered him a BAFTA nomination for Best Supporting Actor.
These roles cemented his versatility and helped introduce him to a broader audience, especially through streaming platforms where limited series often attract global viewership.
Throughout his career, Harris Dickinson’s work has been recognised by industry bodies. His breakout role in Beach Rats was honoured with nominations from the Independent Spirit and Gotham Awards. He also received BAFTA nominations both for his rising profile and for his television work. Beyond acting, Dickinson’s feature directorial debut has already received industry praise.
This critical recognition reflects his capability to handle both mainstream and art‑house material, demonstrating range rarely seen in actors of his generation.
In 2025, Dickinson took a major step in his career by debuting as a director with Urchin, a feature film he also wrote. The movie premiered in the Un Certain Regard section at the 2025 Cannes Film Festival, where it won the FIPRESCI Prize — an honour highlighting its artistic achievement.
Urchin tells the story of a homeless man in London and explores themes of struggle, humanity and endurance. Dickinson’s move into directing reflects his broader artistic ambitions and deep engagement with character‑driven storytelling. His work behind the camera has been described as deeply empathetic and nuanced, reflecting a storyteller intent on exploring complex social realities.
Beyond acting and directing, Dickinson has also appeared in high‑profile commercial campaigns, such as starring in Hailey Bieber’s Rhode skincare campaign — the first male model featured by the brand. This move into fashion reflects his growing cultural influence beyond traditional acting roles.
His recognisable presence in both film and fashion underscores the crossover appeal of modern actors, who increasingly influence both artistic and commercial spaces.
Looking ahead, Harris Dickinson continues to secure major roles. One of his most anticipated upcoming projects is portraying John Lennon in Sam Mendes’s Beatles biopic series slated for release in 2028. This high‑profile role positions him at the centre of what promises to be a major cinematic event, further expanding his international reach.
His evolving career suggests a balance between artistic integrity and commercial visibility, with each new role expanding his versatility and influence in the industry.
While Dickinson tends to keep his personal life relatively private, his long‑term relationship with musician Rose Gray has been noted in media coverage, highlighting a supportive artistic partnership that predates his rise to fame. The couple has collaborated creatively, with Dickinson directing music videos for Gray.
This snapshot of his personal life paints a picture of an artist grounded in long‑standing relationships and collaborative creativity.